by
None
interviews
exclusives from the web
Makin' Copies
by Colin Bogart
If you’re like many independent musicians today, your music is online and ready to be downloaded the world over. Assuming you haven’t done it already, you’re probably thinking of...
to build a studio
by Steve Pogact
Deciding to build a home studio requires complete denial of economic and practical realities. Due to the sorry state of the commercial recording studio marketplace, any musician requiring studio time...
DBX 386
by Rob Lodes
More and more the computer is becoming a part of the studio. In many studios it has even replaced the tape machine. Because of this many companies are putting a lot of effort in to creating tools for...
Getting good-sounding drum tracks using only 3 or 4 tracks
by D. Matz
This is an article that I've written, not as a response to, but let's say as an addition to, articles about drum recording that I have previously read in Tape Op. A more technical,"tracking" point of...
by
None
by
None
A Low Cost, High Quality Analog Studio
by Steve Pogact
The conventional wisdom these days considers analog recorders a luxury of questionable value. For a home recordist just starting out, virtually all-available recorders are digital, whether tape based...
An Interns' Confession
by Bryan Bingold
What can I say? I love music. I can't envision a world that is absent of music. Like many, I have the dream of becoming a rock star. I picked up my first issue of Tape Op because it contained an...