An Ode to Ribbons
by Andy Hong
I can remember back in 2002, when I first joined the Tape Op team as Reviews Editor, ribbon mics were relatively rare, and even new ones, like the now ubiquitous Royer Labs R-12, weren't too often...
I can remember back in 2002, when I first joined the Tape Op team as Reviews Editor, ribbon mics were relatively rare, and even new ones, like the now ubiquitous Royer Labs R-12, weren't too often...
I'm in front of the console, about one hour into a mixing session with a new client in attendance. I've got too much on my mind, an issue of the magazine to write and edit, gear to upgrade...
Last year I met up for beers with an audio engineer who was passing through town while doing front of house for a well-known artist on a sold out tour. While we were chatting about life and audio, he...
The other day, the blower motor of my studio's HVAC system died. The air handler is a large-volume, low-velocity unit (to minimize noise), and the access panel in the wall wasn't large enough to...
For the last six months I've worked on an album that's very much steeped in the style of the classic mid-century crooners. Artists like Frank Sinatra, Tony Bennett, Johnny Mathis, and Julie London cut...
I've mentioned before that one of the goals of Tape Op Gear Reviews is to educate our readers. In other words, we strive to publish reviews that are just as informative about recording techniques as...
When I was younger and flat broke, I was offered a place to stay in my friends' house. It was a room in an old, unfinished basement, and I thought it'd be nice to have some walls. Being without funds...
Let's talk about tape — not the kind that you record on, but the kind that's sticky. Or actually, the kind that's sort of sticky — tape that's used to mount, attach, or repair things, but...
Allen Farmelo has been writing Tape Op gear reviews for a decade. His reviews are always engaging, educational, and importantly, inspirational. Allen always seems to find an arc up to a concept,...
We are witnessing the dawn of dramatic format changes for audio delivery. On the one hand, we now have streaming audio and, on the other hand, we have the movement away from compressed digital formats...
When I saw Hüsker Dü and Soul Asylum perform at the Paradise Rock Club in Boston in 1986, the bands were loud enough to cause physical pain to my ears. The high frequencies were especially...
I opened my commercial recording studio (Jackpot! Recording) in 1997, after years of simultaneously having a busy home studio while working day jobs to pay the rent. Making this leap to a full-time...