Listening to SABLE, fABLE, the new release from Bon Iver, it dawned on me that he and co-producer Jim-E Stack, have created a collection of songs that are deeply rooted in two american songwriting traditions without sounding like a traditional...
Our pal Howard Bilerman will be interviewing legendary producer Bob Johnston in Montreal coming up. Should be a real hoot!
Many Tape Op readers likely can’t imagine that issue #1 was Xeroxed and hand-folded 28 years ago, but it was. People may think of us as DIY, but there’s a long history of so many helping this magazine be its best, beginning with friends...
Joe McGinty has Carousel Studio in New York. Here his pal Amy Hobby gathered 20 young ladies to knock out a great version of Mike Oldfield's "Tubular Bells" on film featuring Joe's INSAME collection of vintage keyboards. This film is the best...
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RZA releases A Ballet Through Mud, an orchestral work of 11 pieces performed by the Colorado Symphony Orchestra, and conducted by Christopher Dragon. Sam Retzer did an extensive interview with RZA in the most recent issue of Tape Op, discussing...
CASE ONE: Many years ago I was sent a very complex piece of recording equipment to review. It basically performed one simple function; but its inherent design was the concept that every parameter could be adjusted. Some similar devices I already...
In issue 32 we had a short review of Linda Smith's current CD. Even though we meant to get an interview with Linda in the mag at some point, for some reason it never quite happened. Jump to 2011 and Linda has assembled a site full of MP3's of her...
I opened my commercial recording studio (Jackpot! Recording) in 1997, after years of simultaneously having a busy home studio while working day jobs to pay the rent. Making this leap to a full-time recording engineer/studio owner was terrifying. I...
For his new release, Honey, Caribou's Dan Snaith (Tape Op #35, #105) wears his Detroit techno influences on his sleeve, and uses AI to explore and reimagine vocals as well as manipulate his voice, to create an album of dance tracks that...
