https://loop.ableton.com/2020/register/
https://tapeop.com/blog/2019/09/17/abletons-loop-2018-summit-music-makers/
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Hello Friends, Yes the rumours are true! We are happy to announce the release of the Tape Op iPad app! And for those folks that are not Apple product users don't despair, there is an Andriod version coming soon. You can log in using...
Check out the new track, “Domestic Workers Song,” from Dawn Landes. The song was originally written in 1939 but it’s still relevant and timely, and the recording is a fun sing-a-long romp with nods to The Band and the upstate NY...
Larry Crane adds an update to Marc Alan Goodman's orginal review of the Burl B80 Mothership. Marc Alan Goodman says in his original review, “It's rare to find a single piece of gear that elevates not only my entire...
It's that time of year again! The Grammy nominations are out and it's always fun to see a bunch of folks we have interviewed in Tape Op on the list. Here are the nominee's for Best Engineered Album, Non-Classical: Lucky Daye...
Below is a Guest Post from Jim Janik: Album Credits Are Just As Important As the Money We Make (maybe more so) by: Jim Janik Have you ever googled yourself? I have. In fact, I have to. Like many freelancers in the music industry, it's just one of...
Our friend and Tape Op contributor Neal Casal left us one year ago today on August 26, 2019. Since then, a team of his close friends dug into the archive of music and photography he left behind to create items raising awareness and funds...
Bass player Herbie Flowers had a front row seat for some of the most iconic recordings of the late sixties and seventies. He played on a staggering number of classic albums from artists such as David Bowie, Elton John, George Harrison, Harry...
I got an email the other day from a PR person looking for Tape Op to write an article about several "known" engineer/producers and their drum recording techniques in the studio. These guys are known, and one of them we've written about and I think...
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond. I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...
