articles

Interviews, tutorials, etc. All about the art of music recording.

March 15, 2004  |  No. 40

Omni Microphones: Try the Omni

by Garrett Haines

I just finished mastering an EP for Centuries of Slow Accumulation, a two-piece outfit with a surprisingly big sound. Their style uses barking Kinks-esque guitars and rowdy drums. Although focused,...

March 15, 2004  |  No. 40

Daniele Luppi: An Italian Story

by Scott Colburn

Italian-born film composer Daniele Luppi grew up listening to the groovy lounge sounds of Italian pop music in the late '60s and early '70s. Used in advertising, film, television and radio, this...

Jan. 15, 2004  |  No. 39

Andy Johns: One Big Lovely Noise

by Philip Stevenson

The history of recording music is half folklore. Tales of insinuation and glory have us turned around to the point where we don't know much about what really happened during most of the great...

Jan. 15, 2004  |  No. 39

Air & Mellow: Air

by John Baccigaluppi, Larry Crane

Walking down a typical city street in Paris, passing cafés and shops, one wouldn't guess that on the same block, down around a back street and through a small courtyard, is a private recording...

Jan. 15, 2004  |  No. 39

Air & Mellow: Mellow

by John Baccigaluppi, Larry Crane

John and I were in France last spring, and thought we'd search out some home recordists in Paris. I tracked down Air and we also came across some acquaintances of theirs (through the fabulous boys of...

Jan. 15, 2004  |  No. 39

Glenn D. White: Acoustician and author

by Erik 4-A

Glenn D. White has had a long and varied career in acoustics, sound reinforcement, education, studio design and piano and organ repair spanning over 40 years. He has worked with people such as...

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