Recording Recipes #4: Flying Musicians
by Curtis Settino
In Recording Recipes No. 2 (TAPE OP No. 10), I wrote about flying microphones. This time I'll set forth a few recording techniques involving flying (roaming, really) musicians. As with the...
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by Curtis Settino
Scott Colburn
by Curtis Settino
In just a few short years, Scott Colburn's Gravelvoice Productions has been involved with a wonderfully diverse collection of artists and recordings. His Seattle, Washington studio offers an analog...
Dan Rathbun: Tamer of Dangerous Sounds
by Curtis Settino
For the last 10 years Dan Rathbun has been writing, performing, producing and recording some of the most distinctive music around. He co-owns and operates Polymorph Recording, in Oakland, CA, with...
Recording Recipes #2: Flying Microphones
by Larry Crane, Curtis Settino
As I did last time, I'm going to give you a few recipes for unconventional recording techniques. In the event that something turns out to be "conventional" (boring/old hat/duh!), please berate me...
Recording Recipes #9
by Curtis Settino
Since I often record alone, I've developed a few techniques to compensate for the lack of extra eyes, ears and hands (until cloning is available to the masses) that I work without. Not all these...
Don Zientara: Inner Ear Studios & Recording the 80's DC Hardcore Scene
by Curtis Settino
Don Zientara is a name I became familiar with simply by seeing it over and over again on record, and then CD, liner notes. From his Inner Ear Studios, he's been engineering and producing...
Four Track School (part two)
by Curtis Settino
In the spring of 1983, a friend and I purchased a reel-to-reel four track. Up to that point, we had been doing multi-track recording by bouncing back and forth between a cassette deck and a boom...